![]() The sonics tend to make the four or five performers seem perhaps a little larger than they probably appear live, but the effect nicely enhances one's listening enjoyment. The engineers also secure well-defined instruments set amidst a realistically rendered acoustic, that of Potton Hall, Suffolk, during their recording sessions in 2009. Some of the Quartet's music-making can carry one away with enchantment.Ĭomplementing the fine performances, the EMI sound engineers capture the players well spread out across the sound stage and close enough to the listener to simulate a live presentation a few dozen feet away. With Schubert, this works perfectly, the slow movements especially characterful and sympathetic. Violinists Corina Belcea-Fisher and Laura Samuel, violist Krzyzstof Chorzelski, and cellist Antoine Lederlin appear more interested in nuance of expression than in flashy showmanship or extrovert bravado. To say that the Belcea Quartet pull off all three compositions with style and refinement would be an understatement. 14 in D minor, D810, "Death and the Maiden," the dark, foreboding, highly charged work that remains among Schubert's most celebrated creations. The set concludes with String Quartet No. Yet it is not exactly the kind of light, lyrical material we usually associate with the man. ![]() Although it is not his most-popular piece of music (the opening movement overstays its welcome), it is one of his most varied and emotional. 15 in G, D887, written in 1826, Schubert's last quartet. It provides a glimpse of what might have come had the composer lived longer. There is a longing wistfulness about all of the music a wonderfully delicate Adagio that projects an ethereal state, with a surging, tempestuous center and a closing Allegretto with a Gypsy-like flair. Schubert wrote the String Quintet in 1828, the last year of his short life, and it was his final chamber work of any kind. The composer's use of five instruments rather than four makes for a richer, more substantial-sounding piece. ![]() Things begin with the String Quintet in C, D956, in which Valentin Erben lends additional weight to the proceedings with his cello. It includes some of the last chamber works Franz Schubert (1797-1828) wrote, and it turns out to be some of his most popular and most mature music. There is a good deal to recommend this new two-disc set from the Belcea Quartet and their guest, cellist Valentin Erben, not the least of which is the set's content. String Quintet String Quartet in G String Quartet in D minor, "Death and the Maiden." Belcea Quartet, with Valentin Erben. ![]()
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